Ask most old skool Jungle/D&B enthusiasts to list their top 90s labels and you can almost guarantee that Moving Shadow will be amongst the top 3. The Stevenage based label has cemented its status as an bona-fide cornerstone of the scene, and with good reason.
As I was putting this piece together news reached me that Ram had done a deal with the music industry giant BMG. This was no real surprise since Ram is a label that has never been content to sit still – It’s a label that is constantly moving forwards, seeking to reach new audiences and adapt as clubber’s tastes change.
There was a time during the early 90’s when LTJ Bukem had a reputation as a floor-clearer.
It’s fair to say that the internet has had a massive impact on the music industry. From the way we listen, share, buy, promote, and discover… the whole music experience has been fundamentally changed, and Drum & Bass was no exception to this.
Writing about the years 1999-2000 was always going to be a difficult one for me. Not because there wasn’t great Drum & Bass being produced (there was), but because when I write these articles I try to fit the narrative around defining moments that shaped the history of Drum & Bass… and I couldn’t actually think of any!
Whilst Jump-Up heralded a return to the boisterous abandon of early 90’s rave, there was another burgeoning sub-genre of D&B that painted a much bleaker picture of British life in the late 90’s. Spearheaded by Nico’s No U Turn label, ‘Techstep’ was a sharp, angular, and gloomy foreboding sound far removed from any kind of ‘jazzy’ laid back coffee-table sophistication.
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